<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Elena Kim]]></title><description><![CDATA[Lives and works in London.]]></description><link>https://www.elenakim.co.uk/works</link><generator>RSS for Node</generator><lastBuildDate>Mon, 03 Aug 2026 10:18:00 GMT</lastBuildDate><atom:link href="https://www.elenakim.co.uk/blog-feed.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA[Nanuda: to divide; to share (2026)]]></title><description><![CDATA[In this series, the difference between is only one of orientation, yet that very difference reveals the unprinted ground generating a new spatial dimension.]]></description><link>https://www.elenakim.co.uk/post/nanuda-to-divide-to-share-2026</link><guid isPermaLink="false">6a7051262aa0dd3fa16a9786</guid><category><![CDATA[Nanuda]]></category><pubDate>Mon, 03 Aug 2026 08:28:30 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/940f65_d3d1fba0f05c4bb48b26e710965e7413~mv2.jpeg/v1/fit/w_1000,h_768,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>zcwaski</dc:creator></item><item><title><![CDATA[Nanuda: to divide; to share (2026)]]></title><description><![CDATA[Add something to its negation, and nothing should remain. We seem to live in a world where it is being realised. Opposition entrenches division, and fracture is read only as loss.  The work carries this axiom onto the printing screen and puts it to the test. A form and its inversion, pulled from the same screen and layered onto a single surface. In this series, the difference between is only one of orientation, yet that very difference reveals the unprinted ground generating a new spatial...]]></description><link>https://www.elenakim.co.uk/post/nanuda-to-divide-to-share</link><guid isPermaLink="false">6a704fbfa1ccffbfde802cbb</guid><category><![CDATA[Nanuda]]></category><pubDate>Mon, 03 Aug 2026 08:24:36 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/940f65_b98ee45329fd4a8793e48f3124f1afe6~mv2.jpeg/v1/fit/w_1000,h_768,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>zcwaski</dc:creator></item><item><title><![CDATA[Where Do I Go When I Miss You (2025)]]></title><link>https://www.elenakim.co.uk/post/where-do-i-go-when-i-miss-you-2025-1</link><guid isPermaLink="false">6a704ac0a1ccffbfde801e95</guid><category><![CDATA[Achroma]]></category><pubDate>Mon, 03 Aug 2026 08:01:09 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/940f65_8cf732fed8514a18a32a580907336830~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>zcwaski</dc:creator></item><item><title><![CDATA[Prayer (2025)]]></title><link>https://www.elenakim.co.uk/post/prayer-2025</link><guid isPermaLink="false">6a703ee63e0c16484ffb2dae</guid><category><![CDATA[Achroma]]></category><pubDate>Mon, 03 Aug 2026 07:13:38 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/940f65_dd2f01fb3c3e40aba1d962d1771c3550~mv2.jpeg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>zcwaski</dc:creator></item><item><title><![CDATA[Untitled (2025)]]></title><description><![CDATA[Building a wall divides inside from outside. It is how human beings make a place for themselves in the world. Laid flat on a white plinth, the work is read from above, the way a plan is read. The work holds a thin line of demarcation between painting and sculpture. Faint etchings on absolute whiteness, so close to invisibility that they feel almost imagined. The image exists not as a mark but as the pressed and raised architecture, appearing and disappearing with the angle of light and...]]></description><link>https://www.elenakim.co.uk/post/untitled-2025-1</link><guid isPermaLink="false">6a7036ce2aa0dd3fa16a5090</guid><category><![CDATA[Achroma]]></category><pubDate>Mon, 03 Aug 2026 06:36:53 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/940f65_ad178385fa84408782198ea3d995496b~mv2.jpeg/v1/fit/w_1000,h_896,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>zcwaski</dc:creator></item><item><title><![CDATA[Untitled (2026)]]></title><description><![CDATA[A thin material bears a grave weight. The emptied paper holds austerity while centring attention on materiality. Funeral rituals have long embodied the achromatic, in white chrysanthemums and lilies, and in the attire worn by the bereaved: colourlessness as detachment from worldly concerns, a setting aside of self-adornment. Here the reverse of the embossed print is displayed within the wooden frame. An image is transferred between two surfaces, producing two related yet distinct states, each...]]></description><link>https://www.elenakim.co.uk/post/untitled-2026</link><guid isPermaLink="false">6a7028cd97fde8a3b3e7f778</guid><category><![CDATA[Achroma]]></category><pubDate>Mon, 03 Aug 2026 06:32:06 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/940f65_45bcb822c9cb442fb6484b7c77ce8353~mv2.png/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>zcwaski</dc:creator></item></channel></rss>